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New Issue! Hoodoo and Conjure: New Orleans


Hoodoo & Conjure: New Orleans

Hoodoo & Conjure: New Orleans

The long awaited follow-up to Hoodoo and Conjure #2 is here! This special edition, Hoodoo and Conjure: New Orleans, reads like a fine wine that only gets better with age –  this issue will not disappoint you!

The timing for this issue could not have been better. With the nation tuning in every week to American Horror Story: Coven to catch a glimpse of Voodoo and witchcraft in New Orleans on TV, we have managed to release Hoodoo and Conjure: New Orleans at the same time. We even have stories in this issue that are touched on in AHS: Coven; albeit, briefly (Mary Oneida Toups, Tituba, Marie Laveaux and Madame LaLaurie) –  all of which were planned over a year in advance of knowing what the show was even going to be about. Serendipity? Syncronicity? Or could it be the Universe telling the world it’s time to take notice of the importance of New Orleans in the grand scheme of super natural things?

In all its gloriousness and fabulous writ, Hoodoo and Conjure: New Orleans brings to you a fantastic collection of articles from a variety of notable as well as up and coming authors. As the title suggests, the majority of the articles center on New Orleans Voodoo, hoodoo, and Old New Orleans Witchcraft; however, we also include some fantastic articles about Appalachian conjure, goetia, international conjure, formulas, recipes, graveyard work, New Orleans style Day of the Dead with Sally Ann Glassman and much more!

Here we go…are you ready?!!!!

Mary Oneida Toups

Mary Oneida Toups

GET THE ORIGINAL STORY OF MARY ONEIDA TOUPS BY THE ORIGINAL AUTHOR, 6th generation New Orleans born Alyne Pustanio! Mary Oneida Toups is recognized to this day as the most powerful witch to have practiced in New Orleans in the 20th century. She was the founder of a powerful coven—The Religious Order of Witchcraft—the first to be recognized by the State of Louisiana as an official Church. According to Pustanio, “Toups’ Religious Order of Witchcraft formed the central axis of a powerful network of practitioners dedicated to the pure, unfettered study and practice of Old Style European witchcraft that still exists in New Orleans today. Many things about Mary Oneida (she preferred just Oneida) are shrouded in mystery, such as her origins. She is said to have been born in Mississippi, in the heart of Delta country, in April 1928 and, like many youths of her generation, when she reached her teens she began to feel restless and took to the road. Hitchhiking, exploring the back roads and byways of the rural South, her path eventually brought her to New Orleans, where she soon became part of a burgeoning bohemian movement already thriving there.

The New Orleans of the early 60s was filled with a current similar to that moving through cities such as San Francisco and New York, a youthful current of exploration and discovery, sometimes aided by drug use that culminated in the Summer of Love and Woodstock moments. In New Orleans, where everything has always been more laissez faire or laid back, the moment crystallized in an “Age of Aquarius” kind of esoteric awakening. Oneida arrived here just as this new awareness was about to bloom” (Pustanio, 2013).

Tituba, Copyright 2013 Jen Mayberry

Tituba, Copyright 2013 Jen Mayberry

READ ALL ABOUT TITUBA, THE BLACK WITCH OF SALEM by the founder of the Dragon Ritual Drummers and the Niagara Voodoo Shrine, Witchdoctor Utu! Utu tells us  ‘As hazy and mysterious a figure as Marie Laveau, many rumours, truths and fiction reflecting from the same mirror, legend and notoriety has been gaining decade after decade, long after her death. Not many people know, but all the hysteria and panic of witchcraft that led to the witch trials, all the hype and horror that has led to a juggernaut of tourism and magik, was because of a Caribbean Voodoo girl, and her name is Tituba ” (Utu, 2013). Utu gives us the back story of Tituba, and then shares with us how the conjurer can develop a relationship with her and work with her spirit.

In addition to these two exciting stories, Hoodoo and Conjure: New Orleans contains the following articles and authors:

  • New Orleans-Style Day of the Dead with Sallie Ann Glassman by Alyne Pustanio
  • In Memorium: Coco Robicheaux by Alyne Pustanio
  • Digging in the Dirt by Dorothy Morrison
  • Food as Medzin by Madrina Angelique
  • The Graveyard Snake and the Ancestors by Dr. Snake
  • Holy Death and the Seven Insights: A Gay Man’s Story of Self-Transformation and
  • his Search for Love by Carolina Dean
  • Adventures in Ghost Hunting by Carolina Dean
  • It Might be a Sign of Things to Come by H. Byron Ballard
  • Wicca and Voodoo: Bringing the Two Together by Nish Perez
  • Wicca and Voodoo: Rhythms by Louis Martinie
  • Crimson Light through Muddy Water: Southern Goth as an Occult Reality by Tim Broussard
  • Mystery Of a Sacred Sastun and The Trinity of Stones: An Interview with Winsom Winsom by Rev.Roots
In Memorium: Coco Robicheaux. Copyright 2013 Alyne Pustanio

In Memorium: Coco Robicheaux. Photograph copyright 2013 Alyne Pustanio

New Orleans Rope Doll

New Orleans Rope Doll. Photograph copyright 2013 Denise Alvarado

We  also have a good portion of the magazine devoted to applied conjure, such as:

  • Spell Work with the Dead by Madrina Angelique
  • How to Bury an Enemy by Madrina Angelique
  • Uncrossing Land by Aaron Leitch
  • Dem Bones by Danette Wilson
  • Conjure with the Goetia by Devi Spring
  • The Wishing Tomb of Marie Laveaux by Denise Alvarado

We also have formulas and recipes, as well as an illustrated tutorial How to Make a New Orleans-style Rope Doll. And that’s not all!

Whether you are a loyal reader or finding us for the first time, I am sure this collector’s issue will find a home on your coffee table or nightstand for years to come. So, relax, grab some coffee or tea, have a few snacks handy and get yourself a copy of Hoodoo and Conjure: New Orleans and witness all its fabulous glory. Much love and care went into its creation, and I hope that you find it every bit as satisfying to read as it was for me to create it.

Read more  and purchase a copy at http://www.creolemoon.com/books.htm#TLMBqQs5psQa9O8W.99

Hoodoo and Conjure: New Orleans. Artwork copyright 2013 Denise Alvarado

Hoodoo and Conjure: New Orleans. Artwork copyright 2013 Denise Alvarado

What’s Inside Hoodoo and Conjure Issue #2


If you were wondering what is inside Hoodoo and Conjure Quarterly Issue #2, this blog will answer that question. It is over 50 pages longer than the premiere issue and chock full of good and interesting information. I hope you have a minute or two because we have a lot to cover including our new contributors and some fabulous new artwork to go with their incredible articles.

REGULAR FEATURES

For those of you interested in the Native American influence on Hoodoo and conjure, I have written an article Indian Spirit Hoodoo that discusses some of the various Native American herbs and curios that can be found in New Orleans Hoodoo.

Indian Spirit Hoodoo

Indian Spirit Hoodoo by Denise Alvarado

Appalachian Hoodoo practitioner Byron Ballard, also known as Asheville’s Village Witch, reminds us of the benefits of DIY Hoodoo in her article Homegrown and Homemade: How to Grow a Botannica in Your Backyard.

Homegrown and Homemade

Homegrown and Homemade by H. Byron Ballard

A fascinating look into the journey of Doc Miller and his legendary Hoodoo Drugstore is presented in Issue #2. Who knew that it would be a mess of cobwebs that would make a believer out of Doc Miller?

Doc Miller’s 21st Century Hoodoo Drugstore

Doc Miller’s 21st Century Hoodoo Drugstore by Denise Alvarado

CHARMS AND FORMULARY

Of course we have a nice selection of charms and formularies for those applied folk magic practitioners out there. The illustrious Dorothy Morrison brings us her Sex Magic Formulary with artwork by our new artist Inga Kimberly Brown.

Sex Magic Formulary

Sex Magic Formulary by Dorothy Morrison

For our readers interested in GLBTQ issues in the ATRs, Chiron Armand brings us his article The Lavender Passage. Armand is a magickal practitioner for almost a decade, he is an initiate in the Unnamed Path shamanic tradition.

The Lavender Passage

The Lavender Passage by Chiron Armand

NEW FEATURES

We have a new column brought to you by Koz Mraz called Myth, Magick, and Motorcycle and he takes us along his journey to Joshua Tree. You may be interested in knowing that it is Koz’s band Studio Voodoo that provides the music for our video trailer.

Myth, Magic and Motorcycle

CONJURE ARTIST PROFILE

Contributed by Alyne Pustanio is our featured conjure artist profile on The Slow Poisoner (alias Andrew Goldfarb). According to Pustanio, Andrew Goldfarb “is a one man surrealistic-rock-and-roll- band from San Francisco. He strums a guitar shaped like a dying swan and sings about swamp women, weeping willows, furtive rituals, cosmic paranoia, creeping fungi, forgotten diseases and witches in the woods. He keeps time by thumping on a kick drum rigged with sleigh bells, and while performing displays elaborately painted signs that bear the title of each song being sung…” (Pustanio, 2011, p. 109).

The Slow Poisoner

The Slow Poisoner by Alyne Pustanio

INTERNATIONAL CONJURE

And as the infomercials say “But wait, that’s not all!” We also have a couple of new contributors that offer their experiences with conjure from an international perspective. Witchdoctor Utu gives us a unique glimpse into working with Mama Moses (Harriet Tubman) and the ancestral spirits of the underground railroad in Canada. Utu discusses the historical background of Harriet Tubman and the Underground Railroad and shares with the reader how to build a cairn to honor Mama Moses and the ancestors. He is the founder of the Dragon Ritual Drummers, the Niagara Voodoo Shrine, and is a member and drummer for the New Orleans Voodoo Spiritual Temple.

Mama Moses and the Conjure Tradition of the Underground Railroad by Witchdoctor Utu

And then we are proud to have African-born Winsom Winsom from Belize, a very wise woman I am honored to call my friend and soul sister. Yes, that is her real name and it means “Covering of the Ocean.” She shares with us her experiences with the death rites of Belize. Winsom holds multiple initiations including initiation into the West African fetish healing tradition and initiation in Matanzas, Cuba as a Priestess into Santeria. Winsom studied and worked with healers such as Sobonfu Some, and Malidome Patrice Some and has taken part in Rituals in New Orleans Priestess Miriam and others. According to Winsom, “I continue to bring about the synchronization of my art and spirituality and believe “true power originates internal spiritual enlightenment, and that we must use this power to reach our higher selves: creating harmony”. Yeah, now that’s what I’m talking about!

Cry a Bucket of Tears for My Daughter by Winsom Winsom

Continuing with our international contributors, we have with us Doktor Snake, legendary bluesman, cult author, and Voodoo conjurer from England. He shares with us the story of how his Hoodoo mentor Earl Marlowe first taught him How to Your Soul to the Devil at the Crossroads. Doktor Snake also wrote the kick-ass forward for my new book the Voodoo Hoodoo Spellbook.

How to Sell Your Soul to the Devil at the Crossroads

How to Sell Your Soul to the Devil at the Crossroads by Doktor Snake

FOLKLORE

No magazine about Hoodoo, conjure and the indigenous traditions would be true to the cause without the inclusion of folklore. Oral tradition is the cornerstone of indigenous knowledge. It is the means by which our ancestors pass on their wisdom and ways of life so that we may benefit and carry them to generations to come (Alvarado, 2011). Following this train of thought, we have included not only the article by Doktor Snake, How to Sell Your Soul to the Devil at the Crossroads, we also bring to you How Br’er Rabbit Lost his Foot or The Rabbit in Magic and Folklore by Matthew Venus and the Plate Eye by Carolina Dean.

How Br'er Rabbit Lost His Foot or The Rabbit in Magic and Folklore

How Br’er Rabbit Lost His Foot or The Rabbit in Magic and Folklore by Matthew Venus

Of course, our resident New Orleans folklorist  and my homegirl Alyne Pustanio  presents a fabulous article on The Gree Gree Men: Voodoo Doctors of New Orleans as only she can tell it.

The Gree Gree Men of New Orleans

The Gree Gree Men of New Orleans by Alyne Pustanio

TUTORIALS

We have gotten some very good feedback about the tutorials we offered in the first issue and so we have continued to meet the needs of our readers by providing some very unique tutorials in this issue, as well. For example, Aaron Leitch, author of Secrets of the Magickal Grimoires, and The Angelical Language: Vols.I and II brings us an Offering Ritual for Archangel Iophiel  where he not only tells how to petition this angel for assistance but also provides a tutorial for making Jupiter Cakes.

Offering Ritual for Iophiel

Among my personal contributions to this issue of Hoodoo and Conjure Quarterly is the very New Orleans Voodoo tradition of How to Make Red Brick Dust that follows my Curio Spotlight on Red Brick Dust.

How to Make Red Brick Dust

I also provide a tutorial for making Ant bed Conjure Dolls to go with my article on Mississppi Death Conjure or Killing Hurts. Don’t let the title scare you off –  this is a class of works that goes way back in the Hoodoo tradition before Hoodoo even arrived on these shores. There are also a couple of video tutorials that go along with the article and tutorial that can be found on our YouTube channel hoodooconjurejournal.

Part 1 of Mississippi Death Conjure is based on a class of hoodoo spells referred to as “death conjure” or “killing hurts”. Part 1 illustrates the creation of two conjure doll babies and their preparation for the ant bed spell.

Part 2 of Mississippi Death Conjure documents the “Ant Bed Spell”, based on a class of hoodoo spells referred to as “death conjure” or “killing hurts”. Part 1 illustrated the creation of two conjure doll babies and their preparation for the ant bed spell.

Now, its no secret that I am a lover of doll conjure, having authored two books that focus exclusively on that subject, Voodoo Dolls in Magick and Ritual and The Voodoo Doll Spellbook. Another of our contributors is also a well-versed doll conjurer in his own right, Carolina Dean. Between the two of us, you can be sure to find something on doll conjure in every issue of Hoodoo and Conjure Quarterly. Dean gives us a slightly more palatable tutorial than mine in his article Spirit Dolls. He tells how to prepare the doll, how to call a spirit into the doll and how to work with it for any practical magical purpose.

Spirit Dolls

Spirit Dolls by Carolina Dean

Then we have for you another type of fetish tutorial brought to you by Madrina Angelique. This is How to Make a Business Elegba specifically for the layperson. For those who may need a little help with their businesses and finances, try making one of these powerful fetishes and see what happens.

Making Elegba

Making Elegba by Madrina Angelique

ARTWORK

Finally, if you thought the artwork was off the hook in the premier issue, wait til you see this issue! The screenshots I have posted for this blog gives you a good idea of what to expect but there is so much more I am NOT showing and that you will only find in the magazine itself. I have created some powerful pieces to complement our contributor’s articles, and Karen Miranda Augustine has provided us with her take on Pomba Gira while Ricky Pustanio gives us his interpretation of the gree gree men. We also have two new artists, Inga Kimberly Brown and the Slow poisoner, aka Andrew Goldfarb. And we cannot forget the fantastic photography provided for us by Matthew Venus. I’m telling y’all, you won’t want to miss this issue!

There is much more to this issue than I have presented here, but this will give those of you who have yet to see the magazine a good preview of what you will find within its pages. No go forth and get your own copy of Hoodoo and Conjure Quarterly #2, the magazine that looks, feels, and reads like a book!

Find it on Amazon.com.

Hoodoo & Conjure Quarterly Trailer



At long last, Issue #2 has arrived! And it is even better than the first! Over 150 pages of authentic hoodoo and conjure from a variety of traditions, not to mention we have jam-packed it with information about New Orleans Voodoo and Hoodoo. Read about Louisiana superstitions, New Orleans Gris Gris, how to grow a botanica in your backyard, and home protections and wards. We’ve got information on the Voodoo Doctors of New Orleans, Pomba Gira, red brick dust, Indian Spirit Hoodoo and St. Anthony. Learn how to invoke Archangel Iophiel, make a business Elegba, and feast your eyes on Altars, Crossroads of Power.

This issue features our very first international submissions, one about Belizean indigenous death rites by Winsom Winsom and our featured cover story about Mama Moses and the conjure tradition of the underground railroad by Witchdoctor Utu. These articles will NOT disappoint you.

As far as charms and formularies, we’ve got a whole section on sex and love magic, protection charms, a Lavender Lust bottle for same sex couples,  how to make Jupiter Cakes and more!

As for folklore, read the very informative and entertaining How Br’er Rabbit Lost his Foot, the Dreaded Plate Eye, snake lore in conjure and more.

And that’s not all!

We’ve got book reviews and a contest to win a jar of crossroads dirt and a Papa Legba talisman.

Believe it or not, there is even more than this. And well, to find out everything that’s in it, you’ll just have to pick up a copy!

Book bound, full color bleed, 156 pages of pure, fabulous conjure!

Hoodoo and Conjure Quarterly is the only printed popular magazine to have ever been published with a focus on New Orleans Voodoo and hoodoo. Forever the subject of horror movies, Voodoo dolls, zombies, and novels with supernatural themes, New Orleans is a culture with a serious history behind its story of magick and religion that should be understood, appreciated, and remembered, as opposed to simply exploited and misappropriated. While Hoodoo & Conjure Quarterly aims to be entertaining and practical, it also strives to be informative and educational.

Southern Spirits: The Plate-Eye


dogThe Plate-Eye is a type of disembodied spirit of one who have been murdered and which are known for its shape-shifting powers. They are characterized by their large glowing eyes which are said to be as “big as a plate and blood red.”  Another curious characteristic of a Plate-Eye is that there is usually something off or wrong about whatever form they assume. For example, a Plate-Eye taking the form of a dog may appear to have been run over by a vehicle.

Plate-Eyes were prevalent just after the Civil War, but their roots likely go back farther than that. Southern lore dictates that during the war, wealthy slave-owners, worried about losing their fortunes, buried their treasure in dark woods or marshy swamps. To protect their treasures until they could reclaim it, the vicious slave-owners would behead a slave (probably the one who dug the hole) and bury it as a warning to anyone who would attempt to steal their treasure. It was a common belief among many of the slaves that one’s spirit dwelt in the head, and so soon arose tales of a haint (ghost) that harassed people who came near the site of their death.

During the Great Depression, the United States Government commissioned the Federal Writer’s Project (FWP) in an effort to aid unemployed writers and fund their work. Over a period of two years from the mid 1930’s Genevieve W. Chandler, interviewed over 100 individuals in the South Carolina Low Country as part of the FWP. In May of 1936 Genevieve interviewed Addie Knox, a Gullah woman, who describes her encounter with a Plate-Eye. Similar to the Hyatt material, the story is written semi-phonetically and can be somewhat difficult to read.

Addie Knox describes how while walking home one evening around dusk she passes by a graveyard and enters into the dark woods nearby. At one point she comes upon a fallen cypress tree blocking her path on top of which a bull frog is sitting. Addie explains that she sees the frog turn into a series of animals that get progressively larger including a cooter (turtle), and a black cat. Addie strikes the Plate-Eye with a stick several times and runs away as the Plate-Eye chases after her getting bigger and bigger. She is finally able to get away from the dreaded spirit by showing no fear and trusting in God.

According to the Gullah, the Plate-Eye cannot abide foul odors (a trait that they also assign to the Boo-Hag) and so to ward against it people would often carry a mixture of equal parts gun-powder and sulfur in a small burlap sack with them to ward the Plate-Eye away.

So the next time you’re traveling down some lonely back road in the dark of the evening and see some poor animal in distress think twice before you draw too close because you might find yourself face to face with the dreaded Plate-Eye!

–Carolina Dean

The Underground Railroad and Freedom Riders on the Same Road to Liberation


Harriet Tubman aka Mama Moses

Harriet Tubman aka Mama Moses

She was born a slave and severely abused by Massa, yet; she never gave up the fight. In fact, she not only refused to give up, she won the fight for freedom, and brought more than 70 slaves to freedom with her.

Tubman  suffered severe head trauma as an adolescent that left her with life long debilitating temporal lobe damage (Larson, 2004). It is said that she refused to help restrain another slave so that he could be beaten because he had left the fields without permission. The other slave ran away and as he did so, his Massa threw a heavy weight at him which missed him and hit Tubman instead, cracking open her skull.  She was left without medical treatment for two days and sent back to work in the fields. For the rest of her life, she suffered from disabling seizures, narcoleptic attacks, and headaches. She also experienced powerful dreams and visions, which she considered to be divine revelations from God.

Harriet Tubman, also known as Mama Moses, is known mostly for her humanitarian and anti slavery efforts.  She escaped slavery in 1849 and went straight to Philadelphia, where she rescued her family. Using the safe houses and antislavery activists that comprised the Underground Railroad, she brought family members and dozens of others, one group at a time in the dark of night, out of the state and into freedom. It is said that Mama Moses never lost a passenger (Lowry, 2008).

Notice published in the Cambridge Democrat (1849), offering a reward for the return of Harriet Tubman and her two brothers

Notice published in the Cambridge Democrat (1849), offering a reward for the return of Harriet Tubman and her two brothers

Large rewards were offered for the return of many of the fugitive slaves, but no one then knew that Mama Moses was the one helping them. When the Southern-dominated Congress passed the Fugitive Slave Law of 1850, requiring law officials in free states to aid efforts to recapture slaves, she helped guide fugitives farther north into Canada, where slavery was prohibited.

Volume 2 of Hoodoo and Conjure Quarterly features an article about Harriet Tubman by new contributor Witchdoctor Utu. Utu is the founder of the Dragon Ritual Drummers, the Niagara Voodoo Shrine, and is a member and drummer for the New Orleans Voodoo Spiritual Temple. Utu has a unique perspective on the conjure tradition as it was brought  to and developed in Canada.

As one who lives and works at the “end of the Railroad”  so to speak here in St. Catharines Ontario Canada, I have a rather unique perspective on the traditions of Hoodoo, Voodoo and the conjuring ways of  the North American tradition. It is here that many of the freedom seeking slaves brought with them, across the U.S. border and into my region in Niagara, via the Underground Railroad,  an entirely distinctive brand of conjure.  Harriet Tubman, the legendary conductor of the clandestine movement that brought  several hundred people to freedom in St. Catharines alone, resided here for many years… While Quakers and Christians of a few sects were supporters and enablers of the cause, the religious and spiritual nature of those that made the journey over the years was as diverse and colorful as the quilts that came to symbolize the movement. Indeed, many of the freedom seekers were renowned root doctors and conjurers, and like Harriet Tubman herself, diviners. Spells of  invisibility, protection, and animal totemic magick  were common and paramount to each and every journey. At the height of the movement, there was a bounty on her head  for $40,000 dead or alive. Harriet began to be known as “The Moses of her people”  later becoming known as “Black Moses” and now more commonly as “Mama Moses”.

One of the unique traditions presented in the article is the reverence for Mama Moses and her followers. According to Utu, when you need to break free of a situation, when you want justice served, when you want to attain more knowledge of the mysteries of the swamps and marsh, or when you simply want to honor a legendary spirit who divined and conjured her way to freedom never to be caught, developing a relationship with Mama Moses is the ticket.

I am  deeply touched by the story of Mama Moses and grateful for this unique conjure tradition that is shared with us by Utu. Details about Mama Moses, building a shrine to her and suggestions for honoring her and her followers are provided in Volume 2 of Hoodoo & Conjure Quarterly, which will be out next month.

Ninety-eight years after the death of Mama Moses, the fight for freedom and equality was still going strong. A court ruling had passed desegregating interstate transportation and hundreds of people fighting for freedom rode through the south on buses to test the new law. Those who rode the buses were called Freedom Riders.

Fifty years ago, the Freedom Riders arrived on buses to New Orleans and were greeted at their destinations by angry, violent mobs. Yesterday, five of the original Freedom Riders stepped off the bus onto the paved streets of the Crescent City. This time, “they were greeted with music and thunderous applause” (Urbaszewski, 2011). My, the times they are a changin’.

Read more about the arrival of five of the original Freedom Riders in New Orleans on May 16th, 2011 at NOLA.com.

References

Larson, K. C. (2004). Bound For the Promised Land: Harriet Tubman, Portrait of an American Hero. New York: Ballantine Books

Lowry, Beverly (2008). Harriet Tubman: Imagining a Life. Random House.

Utu. W. (in press). Harriet Tubman and the conjure tradition of the underground railroad. In D. Alvarado and S. Marino (Eds). Hoodoo and Conjure Quarterly, Vol 2. (pp. 36-42). Prescott Valley, AZ: Planet Voodoo.

Urbaszewski, K. (2011, May 16). After 50 years, 5 original Freedom Riders arrive in New Orleans. The Times-Picayune. Retrieved May 17, 2011 from:  http://www.nola.com/news/index.ssf/2011/05/after_50_years_five_original_f.html